Category: Movies

“Top Gun: Maverick” (2022) is One of the Best Sequels Ever (Part II/II)

Importantly, the movie doesn't get overly tied down to the original. The assembled pilots include Lieutenant Bradley "Rooster" Bradshaw (Miles Teller), the son of Nick"Goose" Bradshaw who was Maverick's best friend that died during a training mission in "Top Gun." Maverick and Rooster have a difficult relationship because of this history, but director

The Above-Average “The Honest Thief” (2020) Isn’t so Easy to Pull Off (Part II of II)

Tom Dolan (Nielson) is an ex-U.S. Marine who's successfully pulled off several bank robberies without getting caught. One day, he goes to a storage unit facility looking for a place to store the money he stole, and meets Annie Wilkins (Kate Walsh), a psychology graduate student who is an employee there.

(6/10)

It's not easy to make a good film. It's especially difficult to make a good, mindless film.

And no genre is more mindless than action.

The formula for an action flick is simple. There's a good guy (or guys or

For Better or for Worse, “Old” (2021) is Vintage Shyamalan (Part I of II)

5.5/10

I am a fan of writer and director M. Night Shyamalan. I like his storytelling, cinematography, pacing and mood. I am so much of a fan that I can instantly tell that a preview is that of his film by just looking at the first shot.

This movie runs as if it knows none of the gags are funny. It spends an inordinate amount of time setting up the jokes, only to rush through the payoff before quickly moving on to the next scene. It’s as if the three editors (Aaron Brock; Jon Poll; Michael Tronick) each took a

“Tenet” (2020) is Too Creative for Its Own Good (Part II of II)

The fundamental issue with "Tenet" is that it saddled a baffling concept with an unnecessarily complicated story. There's Russian oligarch Andrei Sator (Kenneth Branagh), about whom the only thing film makes clear is that he's the villain. Then there's his wife (Elizabeth Debicki) and the fake paintings she had his estranged

“Silence” (2016) is a Deeply Reflective Journey of Contemplation into Faith

9/10

It is 17th century Japan, a bad time and place to be a Christian.  The feudal government is committed to eradicating Christianity through the torture and killing of believers, convinced that the religion is unfit for the Japanese people.

In the Portuguese colony of Macau, the Jesuits receive news that Father Cristóvão Ferreira (Liam Neeson), who is living in Nagasaki, Japan, renounced his faith after being tortured.

“Independence Day: Resurgence” (2016) is a Whole Lot of Nothing

2/10

As the title suggests, "Independence Day: Resurgence" (2016) is a sequel to "Independence Day," the 1996 blockbuster in which the United States saves the entire human race from invasion of aliens on America's Independence Day.  The original had shallow characters in a predictable story with emotionally manipulative scenes and a lot of explosions.  It wasn't much but at least it was a

“Finding Dory” (2016), While Falling Short of the Original, Still Delivers

8/10

Sequels are often criticized as not as good as the original, but they have certain natural advantages over the original.  Whereas a movie generally has to spend a good fifteen to twenty minutes establishing characters and context, the sequel can dive right into the storyline because the characters have been fully developed in the original.  The challenge

“Money Monster” (2016) is Amateur Hour

3/10

“Money Monster” (2016) is in trouble from the very beginning. It opens with George Clooney sitting on a bathroom stall while Julia Roberts talks to him from the other side of the door. When, only a short time later, Clooney abandons whatever dignity he had left by dancing with cheerleaders while dressing in

In “Everest” (2015), a Thrilling Education into the Lethal World of Mountain Climbing

8.5/10

There is a scene in "Everest" (2015) in which magazine journalist Jon Krakauer (Michael Kelly) asks the several climbers he has accompanied for part of the trip why they are looking to reach the highest peak in the world.

"Because it's there!" they all answer at the same time, fully aware how humorously unsatisfying answer is.

When pressed for a more satisfactory response, Yasuko Namba (Naoko

The Lackluster “Spectre” (2015) Lacks a Punch

6.5/10

The lesson to be learned from "Spectre" (2015), the first James Bond movie since the stellar "Skyfall" (2012), is that just bringing back the star (Daniel Craig), the director (Sam Mendes) and the screenwriters (John Logan, Neal Purvis and Robert Wade) from a critically-acclaimed, commercially-successful predecessor is no guarantee that the magic can strike again.

The Bond franchise tried something similar once

The Joy of Bad Movies

I’ve been discovering lately that I don’t particularly mind watching bad ones.

By “bad movies,” I don’t mean movies that have no aspirations to be any good.

“Jurassic World (2015) Brings Back Some Luster of the Original

7/10

The thing about the Jurassic Park series is that, for all the intelligence built into the concept in the original novel by author Michael Crichton, the movies, especially in the sequels, have been little more than big and small dinosaurs hunting down and eating humans who probably deserved to be eaten with all of their stupidity.  The novelty of this

“Terminator Genisys” (2015) is an Incomprehensible Mess

3.5/10

Here’s what it’s like watching “Terminator Genisys” (2015).

If you’ve seen the original Terminator series, the reboot/remake feels like the people who helmed this mess took the most memorable scenes from the best films, jammed those parts together with loud but shallow action sequences for half an hour, then felt the need to take the story and

“Downfall” (2004) is Disturbingly Good

9.5/10

“Downfall” (2004), which depicts the final days of Adolf Hitler holed up in a bunker in Berlin at the end of the European campaign of World War II, is a frightening film, although I don’t mean frightening in a horror film kind of way.

Most of us take comfort in the belief that we are not like

There’s Not Much Football Or Entertainment in “Draft Day” (2014)

2/10

It’s pretty easy to see how numerous powerful people in Hollywood looking to make a quick couple million bucks thought that the concept behind “Draft Day” (2014) couldn’t miss.  It’s basically “Moneyball” (2011), but with the most popular sport in America and Jennifer Garner in the place of Jonah Hill to tell the behind-the-scenes story of the NFL

“Speed” (1994) is a Non-Stop Thrill Ride

8.5/10

 "Speed" (1994) has almost everything you would want in an action film.  It's got an interesting premise, a cool hero, great chemistry between the hero and the sidekicks and action scenes that literally don't stop moving.  Watching it is a mindless exercise for sure, but it sure is a lot of fun.

The film immediately kicks into high gear

“Jersey Boys” (2014) is a Solid Film in Its Own Right

8/10

As a movie based on a broadway musical, "Jersey Boys" (2014) avoids two traps that other movie musicals fall into: casting actors who have the name recognition but not the singing capabilities and lack of scale that puts to waste the unlimited spacial possibilities of films on screen.

Godzilla Looks Good in “Godzilla” (2014), but Not Much Else Does

5/10

The last attempt by Hollywood to adapt Godzilla into a film of its own was the equally clueless and disastrous “Godzilla” (1998), a big-budget flick that had Matthew Broderick running around New York City trying to destroy 200 eggs that a hideous-looking Godzilla laid in Madison Square Garden. With the point of comparison being so

“Gattaca” (1997) is Entertainingly Thought-Provoking

8/10

In the world of "Gattaca" (1997), the only qualification that matters is having the right genes. It is a world in which the "responsible" parents looking to have children go to a geneticist who will weed out the "negative" genes like those linked to diseases and selectively choose the "preferred" genes like those linked to strength, intellect and

“Lee Daniels’ The Butler” (2013) is Rather Uninspired

4/10

There are a lot of reasons "Lee Daniel's The Butler" (2013) fails, the most obvious being that Lee Daniels, who directed the movie, thought it proper to cast widely recognizable actors as former presidents although they have little resemblance to the presidents they are portraying.  I couldn't for the life of me figure out how Robin Williams was even

“Gravity” (2013) is a Remarkable Experience

8/10

Scientifically disinclined, one of my dreams growing up was not becoming an astronaut.  And because I never wanted to be in space, I never wondered what it would be like to be in space.  But now, thanks to "Gravity", I've been able to skip  past the stage of imagination and actually experience space without ever

Three Second Movie Review: James Bond Series (Part III)

This is the third in the “Movie Review in Three Seconds” series of the blog. The idea is simple.  In the spirit of Siskel & Ebert, I, along with one guest critic, review several movies on a scale of 1 to 10 with a short commentary that is no more than a paragraph.  It’s movie

“Argo” (2012) is a Fun, not Quality, Entertainment

6/10

I had a weird reaction as I watched "Argo" (2012). The longer the film went on, the more I became convinced that things didn't go the way that events was depicted in the movie, but also the more I enjoyed the film. It brings to mind what I always say about reality, which is that

Why Bother with “Les Misérable” (2012)?

4.5/10

To me, the whole idea of making a film based on a musical is ill-conceived. A musical, performed on stage, is by its nature spatially limited. A stage production can't so easily change scenes, so the song and dance routine is a way to pace the narrative while making the most out of each set

“Brave” (2012) Doesn’t Quite Live Up to Pixar’s Lofty Standards

6.5/10

"Brave" (2012) is the first installment in the venerable Pixar franchise that stars a girl and involves a witch. There is something both nostalgic and cliché about this set-up, no doubt because it is a familiar backdrop of many classic films created by Disney, which purchased Pixar six years ago.

The girl is Melda (voiced by

It’s Worth Buying into “Ides of March”

8/10

"The Ides of March" (2011) requires an expensive buy-in.  By that I mean, the film asks the audience to accept several rather implausible scenarios.  The upshot is that the film is worth the price, because the pay-off is very satisfying.

“The Iron Lady” Has Streep, But Not Much Else

5/10

"The Iron Lady" (2011) is maddeningly frustrating.  You watch the movie mesmerized by the performance of the lead, yet realize, as the movie stumbles forward, that the script and the direction of the film makes it entirely forgettable if it wasn't for that performance.

“Yamamoto Isoroku” (2011) is Too Shallow to be Meaningful

4/10

If there is a Japanese military officer from World War II that both Americans and Japanese respect, Adminiral Isoroku Yamamoto, the Commander-in-Chief of the Japanese Imperial Navy, is it.  The story that looks into this reluctant warrior who opposed Japan entering the war against the United States yet  planned the attack on Pearl Harbor would make

Three Second Movie Review: James Bond Series (Part II)

"On Her Majesty's Secret Service" (1969)

Joe: 8/10

OHMSS is a special film in the franchise. It's got a lot of "only"s. It's the only film to have George Lazenby play James Bond. It's the only film in which Bond gets married. It's the only film in which Bond cries. It's the only film in which Bond

Three Second Movie Review: James Bond Series (Part I)

"Dr. No" (1962)

Joe:  6/10

Considering how old the film is, this movie is surprisingly enjoyable.  Yes, the pace is slow and the plot is lame, but the great moments that will go on to define James Bond and the franchise are aplenty.  That shot of James Bond lighting a cigarette at a casino in his first

Critiquing Movie Critics of the New York Times

I've learned over the years that I shouldn't rely on movie critics to decide whether I'm going to see the film.  Tastes in movies differ among people and the odds are far more likely that your friends have similar taste than a critic whom you've never met.

You'd think that at a minimum--nay, the only--criterion to

On Reviewing “Mamma Mia!” (2009)

To be fair, I'm not a fan of musicals--or rather, musical films.  So I was disappointed by "The Producers" (2005), underwhelmed by "Hairspray" (2007), and indifferent to "Grease" (1978).

But I need to neither watch a lot of musical films or understand them to  know the performers in musicals require the ability to sing.  I once

On Reviewing Quantum of Solace (2008)

"Bond.  James Bond." Is it really that hard to work this immortal line into a script for a movie that lasts two hours?  Or was the history of 20 films through 40 years so forgettable that all ties to the past needed to be cut?

Unlike Batman, which went through a downtur under the rudderless direction of
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